Title

• Director of Interdisciplinary Humanities Center and Professor at the University of California, Santa Barbara.
• Former Dean, School of Critical Studies and former Director of MFA Writing Program at the California Institute of Arts.

Practical Experience and Bio

Professor Hebdige has taught at various universities and arts colleges in Western Europe, the United States, Canada, and Australia. In addition to being the Director of Interdisciplinary Humanities Center at the University of California in Santa Barbara, Professor Hebdige also teaches in Film Studies as well as Art Studio at U.C. at Santa Barbara. Professor Hebdige is a graduate of the Centre for Contemporary Cultural Studies, Birmingham University, United Kingdom. His career in academia is complimented by his career as a writer and critic. He has written extensively on contemporary art, design and music, the media, and critical theory. His current interests include the integration of autobiography, fiction and mixed media in critical writing and pedagogy.

Work Samples

• Subculture: The Meaning of Style (Methuen, 1979)
• Cut ‘n Mix: Culture, Identity and Caribbean Music (Routledge, 1987)
• Hiding in the Light: On Images and Things (Routledge, 1988)

Title

Lecturing Fellow at Duke University School of Law

Practical Experience and Bio

Daphne Keller is a Senior Lecturing Fellow in Intellectual Property and the Public Domain at Duke Law University School of Law. She is a graduate of Brown University and of the Yale Law School, where she was Executive Editor of Yale Human Rights and Development Law Journal. Ms. Keller worked as a Research Associate and lectured at the Programme in Comparative Media Law and Policy at Wolfson College, Oxford. She has also been a Visiting Professor at Cardozo Law School, where she taught an intensive mini-class on digital intellectual property.

Work Samples

Daphne Keller is the author of “Metainformation, Technical Devices, and Self-Regulation: Parental Control in a Converged World” (with Stefaan Verhulst). She is working on an article about digital music called “Producing Information: Sampling, Semiotics, and Copyright Law.”

Title

Assistant Professor in the Music Department at Duke University

Practical Experience and Bio

Anthony Kelley joined the music faculty in the fall of 2000 after serving as Composer-in-Residence with the Richmond Symphony for three years under a grant from Meet the Composer. The Richmond Symphony premiered his piano concerto, Africamerica, with soloist Donal Fox in 1999, and in 1998, the American Composers Orchestra gave the premier performance of a commissioned work, The Breaks, under the direction of Gerard Schwartz. Mr. Kelley’s music has also been performed by the Baltimore, Detroit, Atlanta, Oakland East Bay, Marin (CA), and San Antonio symphony orchestras. His awards and honors include the Charles Ives Scholarship from the American Institute and Academy of Arts and Letters, and composition fellowships from the North Carolina Arts Council, the Virginia Commission for the Arts, and the Mid-Atlantic Arts Foundation.

Work Samples

• Africamerica
• The Breaks

Title

Partner at White & Case LLP.

Bio

In his practice, Mr. Koenigsberg concentrates in copyright law, including counseling and litigation. He negotiates and drafts license agreements, counsels on copyright matters including estates with copyright issues, and litigates infringement claims. Mr. Koenigsberg’s expertise in this field allows him to participate in legislative efforts within the United States Congress, as well as conducting administrative proceedings before the United States Copyright Office and the Copyright Arbitration Royalty Panel (successor to the Copyright Royalty Tribunal).

Currently, Mr. Koenigsberg is Counsel to the American Society of Composers, Authors and Publishers (ASCAP). He advises the Society and its Board of Directors on all matters as its chief legal officer. Additionally, Mr. Koenigsberg teaches at Columbia School of Law.

Past Practical Experience

• Past Chair of the American Bar Association Section of Intellectual Property.
• Past President of the American Intellectual Property Law Association
• Mr. Koenigsberg’s clients include Walt Disney Company; BMG Music, Inc.; Demart Pro Arte B.V. (owner of all intellectual property rights of Salvador Dalí); the Alvin Ailey Dance Company.

Title

Associate Professor in the Music Department at Duke University

Practical Experience and Bio

Scott Lindroth has been a faculty member at Duke since the fall of 1990. He earned degrees in music composition from the Eastman School of Music (BM 1980) and the Yale School of Music (DMA 1991). Mr. Lindroth’s work as a composer has centered on instrumental and vocal media, including compositions for the Chicago Symphony Orchestra, the Philadelphia Orchestra, the Netherlands Wind Ensemble, and the Ciompi Quartet. Scott Lindroth presently teaches undergraduate courses in theory and composition, as well as graduate seminars on composition-related topics. His interests include electronic music, and each year he offers courses which makes use of the music department’s computer music studio. Together with Stephen Jaffe, Mr. Lindroth presents the concert series Encounters with the Music of Our Time each year, featuring music by distinguished visiting composers in residence in performances by our faculty artists and visiting performers.

Work Samples

• Concert Series: Encounters with the Music of Our Time
• Upcoming projects include the premiere of Spin Cycle by the University of Michigan Wind Ensemble in February 2002, a new piece for the San Francisco Contemporary Music Players, and sound design for a theatrical production of Mao II, adapted by Jody McAuliffe from the novel by Don Delillo. For more information and audio samples, see http://www.duke.edu/~scott1/works.html.

Title

• Partner at Selverne, Mandelbaum, & Mintz, LLP.

Bio

• Tim Mandelbaum has been an active member of the music industry in New York since 1984. He initially worked for record companies, most significantly as the Vice President of Business Affairs at EMI Records. Since 1992, Mr. Mandelbaum’s involvement in the music business has centered on private practice. His private practice experience progressed from being an independent practioner to becoming a partner at Selverne, Mandelbaum, and Mintz, one of the most prominent firms in the country that focuses on entertainment law. Selverne, Mandelbaum, and Mintz’s entertainment practice include music, film, television, new media, and Intellectual Property. Some of the firm’s past and present clients include: The Fugees, Guns and Roses, Van Halen, Peter Tosh, Columbia Pictures, TriStar Pictures, Capitol Records, RCA Records, and various others. 
• Mr. Mandelbaum majored in political science and received his B.A. degree Duke University in 1979, where he was a member of the Major Attractions Committee. He earned his J.D. degree in 1983 from the University of Denver School of Law. 

Practical Work Experience

• Guest lecturer for the Practicing Law Institute on Negotiations of Advanced Recording Agreements
• Member of the Executive Committee of the Entertainment Law Initiative of National Academy of Recording Arts and Sciences (NARAS)
• Member of the Legal Committee of the Alliance of Artists and Recording Companies (AARC). 

Title

Director of the Broadcast Music Incorporated (BMI) Archives since 1991

Practical Experience and Bio

Dr. David Sanjek has contributed to a number of collections on popular music, film, and cultural studies as well as being an advisor to the Blues Foundation, R&B Foundation, Rock & Roll Hall of Fame, Experience Music Project and Smithsonian. In 2002, he appeared on documentaries featured by the BBC and A&E’s “Biography”. Additionally, Dr. Sanjek will be a voice on the forthcoming NPR History of Rhythm & Blues. Dr. Sanjek received his Ph.D. in American Literature from Washington University and has taught at N.Y.U., New School for Social Research, Hunter College, and Fordham University

Work Samples

• He is the co-author with his late father, Russel Sanjek, of Pennies from Heaven: The American Popular Music Business in the 20th Century (Dacapo Press, 1996)
• He is currently completing Always on My Mind: Music, Memory, and Money (Wesleyan University Press, 2003).

Title

• Artist,writer, and musician
• DJ Spooky “that Subliminal Kid”

Practical Experience and Bio

• Paul Miller is a conceptual artist, writer, and musician working in New York City. A writer for numerous publications, Mr. Miller is Co-Publisher of the magazine “A Gathering of the Tribes”, and was the first Editor-At-Large of the cutting edge digital media magazine, “Artbyte: The Magazine of Digital Culture.” His artwork has appeared in the Whitney Biennial; Venice Biennial for Architecture (2000); Ludwig Museum, Koln; Kunsthalle, Vienna; Andy Warhol Museum and other important venues. But Mr. Miller is most well known under the moniker of his “constructed persona” as DJ Spooky “that Subliminal Kid,” a character from his upcoming novel, “Flow My Blood the Dj Said.” He has performed throughout the US, Europe, and Australia. Additionally, he has recorded and collaborated with a wide variety of pre-eminent musicians and composers such as Iannis Xenakis, Ryuichi Sakamoto, Kool Keith, Yoko Ono, and Thurston Moore. Mr. Miller has remixed records by artists ranging from Metallica to Steve Reich.

Work Samples

• His own records include Riddim Warfare (Geffen); Songs of a Dead Dreamer, The Viral Sonata, and Synthetic Fury (Asphodel); and Necropolis (Knitting Factory), and the newly released dj mix record Under the Influence (Six Degrees)
• More information and music samples can be found at http://www.djspooky.com